Overview Overview Features Customer Reviews. Thinking about the Ampex and Studer plugins next maybe the studer first though. Or exaggerate the pre-delay to keep the reverb out of the way. Yaker July 4, Overall Rating of Results Show 10 20
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I find most reverbs to be overly complex and even though I am somebody who uses presets as a basis and adjusts from there, if the options are overwhelming, I get frustrated.
Universal Audio Releases The EMT 140 Classic Plate Reverb for UAD Plug-In Platform
Conversely, Plate C — the most full-frequency plate — uses the more modern Martech electronics which had just been fully serviced. Add natural depth and shimmer to vocals and instruments.
It sounds like a non digital. A great workhorse reverb, and of course you can run several instances at once!
Tips & Tricks — EMT® 140 Classic Plate Reverberator Plug-In
Thinking about the Ampex and Studer plugins next maybe the studer first though. I have been really impressed with most of the UA plugins but this thing is off the p,ate.
Drake December 28, Or exaggerate the pre-delay to keep the reverb out of the way. I use it every day! I mean it is dense, warm, with nice resolution. I think this is the best reverb for drums and percussions there is on the software market. Way better than dreamverb in my opinion.
Universal Audio Releases The EMT Classic Plate Reverb for UAD Plug-In Platform – ProSoundWeb
I hope someone can answer methanks. I use it on every session now and get amazing results quickly and without fail. I used the bright Plate Pllate for the drums. I trusted in all the comments and all the evaluations shown up in this area! The reverb part of the plug is really special. Yaker July 4, I was disappointed by this plugin, after putting it through its paces.
EMT® Classic Reverb Bundle | UAD Audio Plugins | Universal Audio
I was watching EMT for a while and, after test it few hours with some of my real mixes, I noticed the it sounds much better than my favorite Plate. It sounds like a non digital. Bordarampe August 15, It’s my go to plate reverb. I use it on every session now and get amazing results quickly and without fail.
If you cut the low end or scoop out some mids, you can keep the level and reverb time up without muddying the mix, or you could boost the tops to to add a dreamy air to vocals or acoustic guitar. Sculpting Space and Warping Time Here, Grammy-winning engineer Eric J details how he crafts panoramic mixes and carves out space in the dense, bass-heavy productions of Flume and Chet Faker.